Archives for posts with tag: afghan american

Writers are for the most part lone wolfs, notorious for hibernating in order to release the “jinns” inside them via writing. However, this year, I found myself more than ever involved in collaborations that expanded my community of Asian American and Central Asian American authors, performers and intellectuals. Since I was bedazzled by the Hipstamatic App on my iPhone, I fortunately documented these moments of collaborations, both formal and informal (almost always informal with a generous dosage of laughter). I am blessed and honored to be part of this community.

Here is my tribute to a growing community:

The inimitable Cihan Kaan, author of Halal Pork & Other Stories whose book happily almost sold out 9 months after release (UpSet Press: Spring 2011)

Amir Parsa, genius poet, and Robert Booras, editor of UpSet Press drawing up a contract for 2013 and beyond with a cool $20 on the table.

Purvi Shah, director of KAVAD programs, Kundiman. Fearless leader of the Together We Are New York, a Post 9/11 Community Voices and Poetry Series.

These photos are a series of collaborative meetings poets: Hossannah Asuncion, Tamiko Beyer, Marlon Esguerra, April Naoko Heck, Eugenia Leigh, Bushra Rehman, Zohra Saed, Purvi Shah, and R.A. Villanueva had while putting together the Together We Are New York performance in NYC.

April Naoko Heck, poet/beauty/blogger

Tamiko Beyer, poet with the most joyous laughter, Together We Are New York (Kundiman)

Bushra Rehman, comedian meets poet meets novelist, Together We Are New York (Kundiman)

Marlon Esguerra, poet extraordinare, listening and editing the voices for Together We Are New York (Kundiman)

Hossannah Asuncion, poet and human vitamin C, bringing the good cheer at a Together We Are New York meeting.

R.A. Villanueva and Tamiko Beyer in the midst of editing at Together We Are New York meeting (Fast editing creates visual blurs -- aka Poets at Work defy still photos).

Eugenia Leigh, pushcart winner for her poetry! Here gathering the yellow candles we decorated the stage with at Fordham University.

My perspective... don

Nisa, the young future scientist interviewed by Tamiko Beyer. Tamiko

Sahar Muradi, poet/actress/co-editor, during a session to organize the first Afghan American artists and writers commemoration of the 10 years of war in Afghanistan.

Wazhmah Osman, Filmmaker/Scholar/Activist, at organization meeting for Afghan Americans Ten Years Later event.

Afghan American Artists and Writers Association (AAAWA) L-R: Sahar Muradi, moi, Naheed Elyasi, and Najila Naderi. The organization is now growing with members and events.

Bushra Aryan, PhD in Education, writes excellent probing work on Afghan American women in higher education.

Shehnaz Khan, community activist and author of

Veil matches iPhone. Madonna meets Hijabi Fashionista.

Shehnaz Khan, truly rocking that veil!

Winter Wonderland with Najila Naderi, Afghan American fiction writer.

Here is my pictorial formula to further increase my writing productivity 2012:

Some people see Jesus shapes on frosted windows -- I see the Buddha of Bamiyan on a tree in Midwood, Brooklyn.

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Ezra Pound

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My Turbano Totem: Found in a Chinatown Souvenir Shop on Doyer Street.

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A Smiley Zohra

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Wish me luck for the New Year! And thank you for all of your support! Happy writing, performing, creating and reading to you as well!

A Kavad for Remembering 9/11: Together We Are New York

“The sense of urgency to write often comes from a place of necessity – to discover truth, to challenge the simplification of stories.” (Hossannah Asuncion)

The 10th anniversary of 9/11 will bring an outpouring of emotions and remembrances: this project ensures, through community interviews by poets and poetic responses, that Asian American community voices are presented, shared, and a vital part of the fabric of our city memory and our nation’s journey forward.

Though time has been swift, our memories of 9/11 and its aftermath remain indelible, profound, and visceral. As New York City – and our nation – prepares for the 10th anniversary of 9/11 in 2011, Kundiman seeks to ensure that this historic anniversary includes public remembrances and the vital voices of a key marginalized community fundamentally transformed by the tragedy: Asian Americans. Kundiman will bring the poet’s ear and vision to a unique community history and public remembrance arts project: “Together We Are New York: Asian Americans Remember and Re-Vision 9/11.”

The poet has an integral role in recording difficult periods of our lives. In fact, immigrant poets are an essential voice for ensuring our histories are not erased. Asian American poets have captured the experiences of Chinese American railroad workers, Japanese American internment camp survivors, and more recently, South Asian and Muslim communities facing scrutiny and violence in the aftermath of 9/11. To ensure we remember the diverse communities affected by 9/11, Kundiman poets will interview Asian American community members on their experiences on 9/11 and the decade since. This material will be crafted into a series of public readings in September 2011 and beyond. This project uniquely combines historical documentation with artistic production & public engagement in the context of a vital moment in history.

As the leading organization for Asian American poetry and poets, Kundiman seeks to ensure our communities have voice in this key moment in U.S. history. At Kundiman we believe our community voices will not only bring healing and hope within our community but also foster much-needed light and new understanding to the wider New York City and national community in order to enable a road forward – for all of us together.

The project will add to the texture of 9/11 remembrances while enabling the public to engage with Asian Americans as Americans as well as the difficult issues of hate crimes, religious tolerance, and civil rights. Furthermore, the poems will be available for future generations to mark how this moment in history has had such diverse legacies – and how we can respond as one community in the strongest diverse, inclusive spirit of New York City and the United States.

Opening Performance & Dialogue: September 13, 2011, 7-9 p.m.

Featured poets include Hossannah Asuncion, Tamiko Beyer, Marlon Esguerra, April Heck, Eugenia Leigh, Bushra Rehman, Zohra Saed, Purvi Shah, and R.A. Villanueva.

Fordham University, Lincoln Center

McNally Auditorium

140 W. 62nd St. (Law School Entrance)

Upon entering the double glass doors and informing the security desk that you are attending the English Department event, walk up the stairs and take a quick left. After going through another pair of double doors, take the first right and enter the Atrium through its glass doors. The Auditorium will be ahead of you to your left.

Additional performances to be scheduled at later dates in other locations.

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The Chosen Shore By Ellen Alexander Conley

“This is a thoughtful, engaging, and well-written manuscript, replete with often fascinating vignettes, aptly chosen and full of irony and paradox, about the immigrant experience in the United States today as lived and reported by informants who hail from nearly a score of countries from around the world.”–Rubén G. Rumbaut, co-author of Legacies: The Story of the Immigrant Second Generation

“Ellen Conley does more than record the personal stories of new immigrants to our shores. By including testaments from people close to her family and in her workplace, she illuminates the positive ways these eager, industrious new populations have weaved themselves into the fabric of our lives.”–Susan Brownmiller, author of In Our Time: Memoir of a Revolution

“This is a superb and moving book, filled with beautiful, sometimes painfully honest voices, addressing perhaps the most important question of our day – ‘What is the real America?’”–Amy Chua, author of World on Fire: How Exporting Free Market Democracy Breeds Ethnic Hatred and Global Instability

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A Korean street child is adopted into an upper-middle-class suburban home. A Vietnamese monk dishes up fast food to fund a spiritual center. A woman saves for a home back in Ghana, where she will never live. All are immigrants to the United States, known to most of their fellow Americans only as statistics. The stories that statistics can’t tell unfold in this book, in which twenty-three recent immigrants recall navigating the paradoxes, pitfalls, and triumphs of becoming Americans. Candid, evocative, and richly detailed, their oral histories comprise a compelling portrait of the changing face of the American population.
In venues from the San Francisco Chronicle to the New York Times, Ellen Alexander Conley’s fiction has been hailed as “wonderful,” “impassioned,” and “memorable.” Conley brings the same passion and skill to her depiction of our nation’s most recent arrivals. These personal histories, along with Conley’s thoughtful overview of literature on immigration, give us a firsthand sense of what it means to become an American.

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After writing so much about my life, it was definitely interesting having someone else write my life story after an interview.  Ellen was lovely.  We had the interview over gandana boolanee with my (now estranged) mother there.  Sometimes my mother’s narration makes its way into my narration making it a rather surreal piece to reread.  This is only because I do not agree with my mother’s perspective and in this piece both contradicting voices are intermingled.  The collection itself is wonderful and Ellen’s addition of Afghan Americans into the mix of immigrant America is important.  Our rather anonymous community was outed after 9/11 and for the first time people began using Afghan-American to refer to us.  This was an important American moment to document.  My only issue with it is that I wasn’t shown the interview for clarifications during the editing process.  When it was finally published, I received a copy with a line that horrified me because I would never say such a thing.  It was a line saying it was done by Arabs and not by Afghans.  For this reason, I was gravely disappointed with the interview and I stopped agreeing to be interviewed after seeing this in print.  I realize the importance of telling one’s own story without the filter of someone else.  Regardless of how small the carelessness or unintentional on the part of the oral historian, it altered my story of that time and stained what story I had to tell.

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