Archives for category: Performance

Writers are for the most part lone wolfs, notorious for hibernating in order to release the “jinns” inside them via writing. However, this year, I found myself more than ever involved in collaborations that expanded my community of Asian American and Central Asian American authors, performers and intellectuals. Since I was bedazzled by the Hipstamatic App on my iPhone, I fortunately documented these moments of collaborations, both formal and informal (almost always informal with a generous dosage of laughter). I am blessed and honored to be part of this community.

Here is my tribute to a growing community:

The inimitable Cihan Kaan, author of Halal Pork & Other Stories whose book happily almost sold out 9 months after release (UpSet Press: Spring 2011)

Amir Parsa, genius poet, and Robert Booras, editor of UpSet Press drawing up a contract for 2013 and beyond with a cool $20 on the table.

Purvi Shah, director of KAVAD programs, Kundiman. Fearless leader of the Together We Are New York, a Post 9/11 Community Voices and Poetry Series.

These photos are a series of collaborative meetings poets: Hossannah Asuncion, Tamiko Beyer, Marlon Esguerra, April Naoko Heck, Eugenia Leigh, Bushra Rehman, Zohra Saed, Purvi Shah, and R.A. Villanueva had while putting together the Together We Are New York performance in NYC.

April Naoko Heck, poet/beauty/blogger

Tamiko Beyer, poet with the most joyous laughter, Together We Are New York (Kundiman)

Bushra Rehman, comedian meets poet meets novelist, Together We Are New York (Kundiman)

Marlon Esguerra, poet extraordinare, listening and editing the voices for Together We Are New York (Kundiman)

Hossannah Asuncion, poet and human vitamin C, bringing the good cheer at a Together We Are New York meeting.

R.A. Villanueva and Tamiko Beyer in the midst of editing at Together We Are New York meeting (Fast editing creates visual blurs -- aka Poets at Work defy still photos).

Eugenia Leigh, pushcart winner for her poetry! Here gathering the yellow candles we decorated the stage with at Fordham University.

My perspective... don

Nisa, the young future scientist interviewed by Tamiko Beyer. Tamiko

Sahar Muradi, poet/actress/co-editor, during a session to organize the first Afghan American artists and writers commemoration of the 10 years of war in Afghanistan.

Wazhmah Osman, Filmmaker/Scholar/Activist, at organization meeting for Afghan Americans Ten Years Later event.

Afghan American Artists and Writers Association (AAAWA) L-R: Sahar Muradi, moi, Naheed Elyasi, and Najila Naderi. The organization is now growing with members and events.

Bushra Aryan, PhD in Education, writes excellent probing work on Afghan American women in higher education.

Shehnaz Khan, community activist and author of

Veil matches iPhone. Madonna meets Hijabi Fashionista.

Shehnaz Khan, truly rocking that veil!

Winter Wonderland with Najila Naderi, Afghan American fiction writer.

Here is my pictorial formula to further increase my writing productivity 2012:

Some people see Jesus shapes on frosted windows -- I see the Buddha of Bamiyan on a tree in Midwood, Brooklyn.

+

Ezra Pound

+

My Turbano Totem: Found in a Chinatown Souvenir Shop on Doyer Street.

+

A Smiley Zohra

=

Wish me luck for the New Year! And thank you for all of your support! Happy writing, performing, creating and reading to you as well!

On November 8th, Wazhmah Osman and I were the two Afghans in the audience of this wonderful play: “Infinite Incompleteness”

Hadi Marifat, writes, “The voices are now raised, but is anybody ready to listen?” in one of his papers on the Theater of Justice that his NGO The Afghanistan Human Rights and Democracy Organization (AHRDO) has implemented as a tool for change in Afghanistan. This play was most certainly an important performance of multiple voices, both the voices of the actors on stage, sometimes overlapping and at other times solitary heartbroken, or angry and seeking justice, and the text that was on display (translations in English of the performance, which was a layer of Dari and Pashto).

Hadi Marifat, Director of AHRDO

Infinite Completeness was an interweaving of multiple life history accounts of the 30+ years of war in Afghanistan. The repetitive acts of building/destroying, burying/excavating, collecting/scattering, and counting endlessly spoke profoundly the story of Afghanistan and the effects of decades of war.

Zahra Hosseini, actor and activist.

Prayer, Thoughtfulness, and Behind Both a Map of Afghanistan

Sayed Mohammad Javid, actor and activist.

Zaman Khoshnam, actor and activist was the Pashto voice in this.

And here is a lovely photo of the Afghan performers and us two Afghan Americans (Wazhmah Osman 3rd person from Left) after the show:

Post Show

I was fortunate to spend 11.11.11 with this group at Le Pain Quoditien in SoHo talking about the possible connections between our gang, Afghan American Artists and Writers Association (AAAWA) and AHRDO. Let’s keep our fingers crescented about any future collaborations. It was a great honor to meet them and to speak with them (and they were extremely patient with my Dari/English with some occasional Uzbek terms popping in like an uninvited guest into my sentences).

Z Cubed: Zahra and Zaman on stage with Zohra taking photo...

Thanks to David Henderson and Chris Brandt for a lovely and meaningful event on a warm Sunday afternoon in October for the Howl Festival:

Sara Goudarzi

The lovely poet, Sara Goudarzi. Everyone came out with these fantastic glowing faces as if illuminated features were quite average things for poets and musicians these days.

Sahar Muradi

Poet and actress, Sahar Muradi in her fantastic shoes.

Yusuf Misdaq

Yusuf not only read his poetry but also performed on the harmonium!

David Henderson

David doing his magic on stage.

The Mast

The afternoon closed with the angelic voice of Haale, lead singer of The Mast.

Poets for Renewable Energy and Peace (PREP) at Howl Festival (NYC)

When: Sunday, October 23

Time: 1-4pm

Where: Theater 80 on 80 St. Marks Place (East 8th St. & 1st Avenue) in Manhattan.

Who: Sahar Muradi, Zohra Saed, Anne Waldman, The Mast (featuring Haale Gafori and Matt Kilmer), Sara Goudarzi, Bob Rosenthal, Papoleto Melendez, Yusuf Misdaq, Tahani Salah, Jackie Sheeler, Chris Brandt, David Henderson, Eliot Katz, and surprise special guests.

About: The event is being organized in conjunction with the Howl Festival, which is putting on a series of October events at Theater 80 to raise money for the Howl HELP Fund, which will provide emergency assistance to help community artists with emergency healthcare, housing, and social service needs.

 

There is so much to say about the event on Oct. 7th — a reunion of artist friends, a meeting of new friends, and a commemoration. Yellow candles lit the Mandragoras Gallery where Afghan Americans and an Afghan Brit came together to share the process of art-making and self-making during these years of war in Afghanistan, life post-9/11 for Afghans in the diaspora.

The evening was presented in three rooms.

Room 1: Video Art by Mariam Ghani, Gazelle Samizay and Yusuf Misdaq on loop. Then a screening of Wazhmah Osman’s Postcards from Tora Bora, which also features clips from super 8 family films from Afghanistan in the 1960s and 70s. It was priceless.

Wazhmah Osman's Postcards from Tora Bora

Wazhmah Osman's Postcards from Tora Bora

The gallery:

Naheed Elyasi setting up the delicious spread for the evening.

Mandragoras Gallery

Readings:

Niro Sherzad warms up the stage and continued to steal the show!

Najila Naderi reads excerpts from her powerful short story.

Yusuf Misdaq performs his dynamic poetry. (In Afghan chapan (robe) with a Colorado T-shirt)

Helena Zewari discusses the aesthetics & politics of Afghan diaspora art-making/self-making.

Room 3: Zakarya Sherzad (on Cello) performs with Sinan (on Oud) as a video art piece juxtaposing the mountains of Afghanistan and the catastrophe of the World Trade Centers in his haunting and powerful poetry on being split yet connected by the catastrophes of both places.

Sinan and Zakarya

Audience listening... Sahar by the window in red dress.

Sahar Muradi’s performance of Questions & Answers that Afghan Americans deal with:

(Right) Sahar: "Then you must speak Pashtu?" (Left) Guest: "I don't even know what that means."

Thank you for the 150 friends and family who came to the event!

Time
Wednesday, September 28 · 7:00pm – 9:00pm

Location
Blue Gem Room at Paul Robeson Theater in Fort Greene, Brooklyn

54 Greene Avenue, 1st Floor


More Info
Join us for a polyphonic performance with poetry mixed with audio excerpts of interviews with Asian American community members!Together We Are New York helps to ensure Asian American community voices are presented and shared as a vital part of the fabric of city memory and the nation’s journey forward. To remember the diverse communities affected by the events of 9/11, Kundiman, an organization dedicated to the creation and promotion of Asian American poetry, engaged nine poets to interview Asian Americans on their experiences that day and in the decade since. Join us to reflect, remember, laugh & celebrate our community through poetry and oral history!Featured Poets: Hossannah Asuncion, Tamiko Beyer, Marlon Esguerra, April Heck, Eugenia Leigh, Bushra Rehman, Zohra Saed, Purvi Shah, R.A. VillanuevaFor more information and directions, go to www.kundiman.org/kavad

 

A Kavad for Remembering 9/11: Together We Are New York

“The sense of urgency to write often comes from a place of necessity – to discover truth, to challenge the simplification of stories.” (Hossannah Asuncion)

The 10th anniversary of 9/11 will bring an outpouring of emotions and remembrances: this project ensures, through community interviews by poets and poetic responses, that Asian American community voices are presented, shared, and a vital part of the fabric of our city memory and our nation’s journey forward.

Though time has been swift, our memories of 9/11 and its aftermath remain indelible, profound, and visceral. As New York City – and our nation – prepares for the 10th anniversary of 9/11 in 2011, Kundiman seeks to ensure that this historic anniversary includes public remembrances and the vital voices of a key marginalized community fundamentally transformed by the tragedy: Asian Americans. Kundiman will bring the poet’s ear and vision to a unique community history and public remembrance arts project: “Together We Are New York: Asian Americans Remember and Re-Vision 9/11.”

The poet has an integral role in recording difficult periods of our lives. In fact, immigrant poets are an essential voice for ensuring our histories are not erased. Asian American poets have captured the experiences of Chinese American railroad workers, Japanese American internment camp survivors, and more recently, South Asian and Muslim communities facing scrutiny and violence in the aftermath of 9/11. To ensure we remember the diverse communities affected by 9/11, Kundiman poets will interview Asian American community members on their experiences on 9/11 and the decade since. This material will be crafted into a series of public readings in September 2011 and beyond. This project uniquely combines historical documentation with artistic production & public engagement in the context of a vital moment in history.

As the leading organization for Asian American poetry and poets, Kundiman seeks to ensure our communities have voice in this key moment in U.S. history. At Kundiman we believe our community voices will not only bring healing and hope within our community but also foster much-needed light and new understanding to the wider New York City and national community in order to enable a road forward – for all of us together.

The project will add to the texture of 9/11 remembrances while enabling the public to engage with Asian Americans as Americans as well as the difficult issues of hate crimes, religious tolerance, and civil rights. Furthermore, the poems will be available for future generations to mark how this moment in history has had such diverse legacies – and how we can respond as one community in the strongest diverse, inclusive spirit of New York City and the United States.

Opening Performance & Dialogue: September 13, 2011, 7-9 p.m.

Featured poets include Hossannah Asuncion, Tamiko Beyer, Marlon Esguerra, April Heck, Eugenia Leigh, Bushra Rehman, Zohra Saed, Purvi Shah, and R.A. Villanueva.

Fordham University, Lincoln Center

McNally Auditorium

140 W. 62nd St. (Law School Entrance)

Upon entering the double glass doors and informing the security desk that you are attending the English Department event, walk up the stairs and take a quick left. After going through another pair of double doors, take the first right and enter the Atrium through its glass doors. The Auditorium will be ahead of you to your left.

Additional performances to be scheduled at later dates in other locations.

Conflict Nations Program: Afghanistan
Zero Film Fest

December 10, 2009
7 p.m.
Issue Project Room 232 3rd Street Brooklyn, New York 11215

ArteEast is pleased to co-sponsor the Conflict Nations Program: Afghanistan at the Zero Film Fest.

In a time when the majority of festivals are Hollywood marketing campaigns, and even “indie” and “underground” festivals screen financed films, the Zero Film Fest offers something different—recognizing authentically independent films and filmmakers who take risks and fight the odds to see their visions through.

The Conflict Nations Program is  a muti-disciplinary exploration of the Afghan experience including a visual art installation, guest speakers, readings and film screenings.

Readings by Afghan American writers:

Sahar Muradi
Zohra Saed
Masood Kamandy
Naheed Elyasi

Film Screenings:

Rethink Afghanistan, Robert Greenwald (62 mins) Feature Documentary

Greenwald portrays Afghanistan as a nation — or, more accurately, a collection of tribal affiliations — that has never been pacified by force in its long history and the present American endeavor as doomed to failure.

Rethink Afghanistan, from Robert Greenwald, the man behind Outfoxed, Wal-Mart: The High Cost of Low Price and Iraq For Sale, “presents the complex, harsh and enduring legacy of the Afghan War.”
- Joel Epstein, Huffington Post

Skateistan — To Live and Skate in Kabul , Kai Sehr (7 mins) Documentary Preview

Inspired by Skateistan, Afghanistan’s first skateboarding school, this emotional feature-length documentary is a journey deep into the lives of Afghanistan’s urban youth. It chronicles the efforts of a grass-roots organization to build the first skate hall in Kabul, follows the first international crew of pro skaters on their visit to Afghanistan and tells a tale of the irrepressible hope found within a nation’s children.

Co-sponsored by Arte East

nytr_08_front_promo_15

New York Theater Review (2008)

Full script of the Asian American “Undesirable Elements” that I was a part of can be found in the New York Theater Review. The theater work was part of the first Asian Pacific American Theater Festival (2007). Here is a description of the project:

Theatrical innovator’s Ping Chong’s “Undesirable Elements” is an exploration of the Asian-American experience in New York through an interview-based theater work. The cast consists of six Asian-American artists, writers, and activists from diverse geographic backgrounds (South Asia, Pacific Islands, Central Asia, East Asia), each sharing their own real-life experiences. It’s not a traditional play or documentary-theater project performed by actors. Instead, “Undesirable Elements” is presented as a chamber piece of story-telling, a “seated opera for the spoken word.’

undesirableelements-castcre

“Undesirable Elements” is part of an ongoing series (over 30 productions since 1992) of community-specific oral history theater works exploring issues of race, culture, and identity in the lives of individuals living in different American cities. Each production is made with a local community partner and addresses relevant issues and topics facing that community. The process includes an intensive interview and rehearsal period with participants. The script is based on the interviews, and performed by the interviewees, who are not professional performers. The text moves chronologically, weaving together their personal and political narratives. The production addresses the recent history of the 20th and 21st centuries and the collisions of peoples and cultures in the modern world.

By drawing on first-hand experiences of real people across a broad spectrum of Asian-American backgrounds (immigrants, second-generation, adoptees), “Undesirable Elements” challenges mainstream assumptions about what it means to be Asian-American. It also addresses assumptions, stereotypes and internal prejudices that can exist within Asian-American communities. Each participant speaks about his/her personal background and the paths that led to careers in the arts, activism, and education, and the formation of an Asian-American identity. Cast members’ individual experiences are woven together in a chronological narrative that touches on both political and personal experiences and shows the historical evolution of the influence of Asian-Americans on the social and cultural identity of America.

undesireableelements

(Top L-R: Joseph Legaspi, Kelly Zen-Yie Tsai, Zohra Saed, Vaimoana Niumeitolu, Bottom: Pauline Park and Raj Thakkar) Photo: Adam Nadal

Asia Society Presents Ping Chong & Company, Undesirable Elements, Written and Directed by Ping Chong and Sara Michelle Zatz, Starring Joseph O. Legaspi, Vaimoana Niumeitolu, Pauline Park, Zohra Saed, Raj Thakkar and Kelly Zen-Yie Tsai, Stage Manager: Courtney Golden, Lighting/Technical Director: Brant Thomas Murray, Production Coordinator: Kristina Varshavskya, Filmed at Asia Society on June 15, 2007 as part of the National Asian American Theater Festival, Video Production by Cihan Kaan, Landbridge Massive Pictures

Follow

Get every new post delivered to your Inbox.

Join 624 other followers